crack crack

all that cracks, jack.

fireflies.

There is something so right about fireflies. The earthworms would wait for their time to hatch and fly out bringing tons of little lights. They would bring history with them like troubadours and fill your house with wings, encouraging it to fly. They would transform into things you love, beautiful things you love, and with lights on their tails they would tell you these things you love are even more meaningful.

There is also something so sad about fireflies. The earthworms believe that the world will end tomorrow. They cultivate such a big faith of it that their world only responds without a single sigh of doubt. With lights on their tails they would tell you these things you love are the most beautiful, the most meaningful, and they are not lying: if you pile all the days of your life into one and put it under fire, what could it be other than beautiful? What could it be other than meaningful?

There is simply something about fireflies. Their world is a glad extension of their belief that if it does end tomorrow, those lights need to be shared as reminders of how history culminates. They survive on this faith and so would fill your house with wings trying to encourage your house to fly, overnight. I look at them with longing, how I wish, how I wish. But I can only survive on Ravel, because I believe we both believe that the history of flying lights are as benign as the sebaceous glands in my skin.

Lies are nothing more than the differences between the circumferences of our bubbles when they collide. When the sun rises, these light-bringers of the night past remain beautiful in peace. When the wind blows, their wings fly out and leave your house, bringing their hope of flying with them. There. Time to walk away now; I have more than twenty thousand days to catch.

December.

Once upon a rain in Boston, I fell down. Below the red carpet dusty megaphones were singing. Carol tides.

Don’t you wanna go home, they said, I do. Well then just go home they said, I will. April would be perfect, they roast frapped berries in yonder park. Is that where home is, they asked, dunno. In a dream he was just a baby, helpless beyond the thunderous night. His hair was long, thick black and smooth like an Asian beauty that you will never get to know.

I’ve been workin’, he said, workin’ hard. Chopping down Christmas trees, dragging them with trucks. Here’s what I’ve got he said, his mouth foul with beer. Was this the man I saw in him? I ran away and ran on, basketball park. Yellow jackets flow, I flew with them home. Flew with them home, flew flew with them home.

Falling in Boston down is no light matter, cigarettes. Never a flight less. Buckle up and sleep, now. And drink on.

an artist.

 

 

 

 

AN ARTIST WHO CANNOT
TRAVEL
IS NO ARTIST

 

 

 

 

 

 

http://tinyurl.com/4xnrobz

I woke up to this.

I woke up from a dream where the logic was, every time I would click on a YouTube link, my left neck would twitch. There was something fair and deserving about it, and so I just played along with it until the certain moment where my waking awareness caught on. I woke up and I remembered I thought about Papa before I went to sleep, and I remembered that when I was in high school, I felt that my grandpa’s hand was on my shoulder the whole week following my dream of him.

Stories are formed in our heads both in waking and in sleeping. I would love to choose my waking logic as the logic that makes sense, but what if one day I found the light switch in my waking life, and woke up in a sleeping life feeling grateful that I was saved from the waking nonsense? This is not a scary thought. Perhaps this is what dying would feel like. Afterlife is just another place for the mind, if it does exist.

I woke up to Facebook. Charles Esche’s status, 4 hours ago, has attracted 23 likes, and Anita Toutikian has consistently commented on it, discussing with Charles. I decided to switch my light on – I won’t be trying to sleep again, because that will only reiterate that I can’t sleep. I decided to start writing and to not believe that it is my premenstrual syndrome that has kept me from being creative. Certainly I could have just tried to sleep, while wondering why I couldn’t sleep and blaming my hormones for it. That is just another option.

My dream of my grandpa went like this: we were on a beach, sitting around a table with beach umbrella. He wasn’t looking directly at me, he wasn’t talking to me. But somehow I knew he knew that I was his granddaughter. When I woke up, I chose to believe what the dream meant, until at one point I chose to believe another meaning. It was an easy choice to make, as though I knew both all along. I feel I can believe both now, as much as I feel I can believe neither. The warm feeling that I felt on my shoulder the whole week after that dream was interesting, just like how my left neck twitched: perhaps it was Papa trying to wake me up?

I woke up to my waking sense. The twitch somehow felt like what it felt when the Chinese doctor that was really an electro-acupuncturist applied some pulsating electrical current to my bursitis-ridden knee a few weeks ago. Now that I have integrated my waking memory to make sense of the world, I suspect that that is what the twitch was: my body pulsating its own electrical current. To heal itself perhaps, to think of it positively.

I woke up to the memory of attempting to freeze our 6 kilograms of strawberries. I went to the freezer and checked on them. They’re well on their way to gelidity, frigidity, frozenness, whichever word can or cannot express it truly. I remembered that before I went to sleep I thought of Mama and my attempt to prepare myself to be an adult orphan. Sometimes Papa lives through her for me, like when she said that we did have a vacuuming device for freezing food: Papa bought it just in case (like he did buy many other things because it looked technologically cool to do at the convenience of your own home). What will happen when Mama dies? Somehow, my attempt to feel this made a part of myself believe that there is a logic to having kids. Something lives on. Stories live on.

Although all stories are really what we choose them to be.

I woke up to Skype. For a moment there was a remaining for Daniel’s online status, and I felt some kind of joy. A few seconds later, the software finally came to its waking sense and said that Daniel just went offline. My left neck has stopped twitching.

new home.

Like many others, Erica van Loon, one of my fellow artists at Kaap 2011, took some flowers home too.
Nous ne notons pas les fleurs, Fort Ruigenhoek (2011) is commissioned by Kaap 2011/Stichting Storm. Photo courtesy of Erica van Loon.

duck.

Like always, these ducks were marching past a pond. Their feet flapped, muddling. One stopped in front of me, flapped its wings, and said:

Yaaay.

Softly. I was sitting down looking at them, with some friends. The spectacle of a duck saying such a thing instead of its usual quack was extraordinary. So I thought I had to say something smart about it. I struggled with my brain for a while and finally muttered:

Ducks. In … a … pond.

Nothing too smart. I woke up.

This is Daniel Wolfson’s dream, told to me.

tokyo.

Once upon a train in Tokyo.

home.

Home is where I can download my emails to my laptop.